BMPCC 6K BRAW to Rec709 IndiePro LUT Pack

The BMPCC 6K BRAW to Rec709 IndiePro LUT pack is designed to help you save time and effort in post production.

This is a set of 17 Pro Grade Technical LUTs which should be applied before you stylize your image.

LUTs Included:

Broadcast 01

Broadcast 02

Broadcast 03

Alexa Lookalike

High Contrast

Low Contrast

Faux Fujifilm

Faux Kodak Film

Feature

HBO

Netflix

Mono

Nostalgia

Punch It

Teal and Orange

Two Tone

Urban

LUT Breakdown:

Broadcast 01 - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to be ready for broadcast, web or streaming delivery.

Broadcast 02 - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to be ready for broadcast, web or streaming delivery with a bit more punch.

Broadcast 03 - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to be ready for broadcast, web or streaming delivery with more of a cinematic feel.

ARRI Alexa Lookalike - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to mimic the ARRI Alexa look and feel.

High Contrast - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to show a more authoritative and bold feeling and emotion.

Low Contrast - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to show higher level of details and texture in shadows.

Faux Fujifilm - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to mimic the classic Fujifilm look and feel.

Faux Kodak Film - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to mimic the classic Kodak film look and feel.

Feature - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to represent the modern feature film look which is great for indie filmmaking types of productions.

HBO - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to show characteristics of modern HBO episodic series.

Netflix - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to show characteristics of modern streaming episodic series and made for streaming features without the banding issues that many face.

Mono - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to emphasize a color to bring attention and focus to your storytelling through visuals.

Nostalgia - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to bring back a feeling of film with big contrast that doesn't crush shadows, highlights that roll off gradually in a very pleasing way and skin tones that pop but make you remember the past in a romantic way.

Punch It - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips quickly and effectively make a point in your storytelling.

Teal and Orange - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to leverage the most effective color contrast combination in a cinematic way that won't get in the way of your storytelling without polluting your blacks or whites.

Two Tone - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to manipulate the colors of your scene to help emphasize your story and make the production feel like you had a much bigger crew which included a set designer and wardrobe designer while keeping skin tones true.

Urban - this LUT allows for a single click adjustment that allow your BMPCC 6K BRAW clips to add grit and feeling to your footage giving them street credit while maintaining the film and cinematic aesthetics.

Suggested Use:

In DaVinci Resolve, I would recommend that the first node be used to adjust your exposure and white balance if needed and then add a second node where these technical LUTs will do their work.

In Adobe Premier these LUTs should be added in the first color tab or Layer followed by the necessary (if any) exposure and white balance adjustments.

In FinalCut Pro X these LUTs should be added after the exposure and white balance adjustments for best results.

FAQs:

Q. Will these LUTs work with non-RAW files from the BMPCC 6K?

A. NO they will not!

Q. Will these LUTs work with ProRes files from the BMPCC 6K?

A. No they will not!

Q. Will these LUTs work with BRAW files from the BMPCC 4K?

A. No they will not!

Q. Will these LUTs work with Log or RAW files from Other Blackmagic Design Cameras?

A. No they will not!

Q. Will these LUTs work with BRAW files from the URSA Mini Pro G2?

A. No they will not!

Q. Will these LUTs work with BRAW files from the URSA Mini Pro?

A. No they will not!

Q. Will these LUTs work with RAW files from the original Blackmagic Design Production Camera 4K?

A. No they will not!

Q. Will these LUTs work with RAW files from other cameras like RED, Canon, or Panasonic?

A. Safe answer is NO since I have not tested this.